Grant writing and fundraising strategy · New England

Strategic fundraising rooted in community.

I'm Oscar Palacio, a Colombian-born artist and grant writer based in Greater Boston. I partner with arts and culture, LGBTQ+, immigrant-serving, and community development organizations to research funders, write proposals, and make the case for work that communities lead. I work in English and Spanish.

From the series Ghosts of the Oconee, 2025

Black-and-white photograph of a narrow, dark river between overgrown banks, a pale sky reflected on the water and fallen branches across the foreground.
Untitled #1University of Georgia, Athens, GA, 2025
Black-and-white photograph of a curved tunnel with a row of lights, opening onto a leaf-strewn path under overhanging vines.
Untitled #3University of Georgia, Athens, GA, 2025
Black-and-white photograph of a concrete structure with two heavy piers standing in dark water, overgrown with vines.
Untitled #9University of Georgia, Athens, GA, 2025

The photographs on this site are my own. Each caption gives the title, place, and year as they appear on my artist portfolio.

Funding secured

$29,200

Bannister Grave Restoration Project

Three funded proposals: the Rhode Island State Council on the Arts, and the Rhode Island Foundation's Neighborhood Grants and Black Philanthropy Bannister Fund. Lead grant writer, 2024–2025.

See the funded work

2021

Public Art Learning Fund

New England Foundation for the Arts. My role: artist.

2020

Centering Latinx Pedagogy

Mass Humanities. My role: artist and facilitator.

Who I work with

Organizations where communities lead.

Shared values matter more than sector. I work with organizations whose leadership reflects the communities they serve, and where community members shape the work.

Arts and culture

Presenters, ensembles, galleries, and cultural centers, from state arts council proposals to national foundations.

LGBTQ+-serving organizations

Career and workplace programs, legal services, advocacy, and professional development, framed around economic opportunity and community strength.

Immigrant-serving organizations

Cultural preservation, language access, legal services, workforce development, and community organizing, in English and Spanish.

Community development

Neighborhood institutions, cultural facilities, and community land trusts, including capital campaigns.

A good fit

  • Leadership that reflects the communities you serve, or shares their lived experience.
  • Community members who shape programs, priorities, and decisions.
  • A specific opportunity, or a funding calendar, we can build around.
  • An annual budget under $2 million, the range this practice is built for. Larger organizations are welcome to ask.

Not the right fit

  • Federal grant proposals.
  • A full proposal due in under 30 days. On-demand services can move faster.
  • Work paid by commission or a percentage of an award.

What sets this practice apart

Priced openly. Delivered in writing.

Fixed scope, published fees, and documents your team keeps and reuses.

Fees you can read first

Every fixed fee is published, from a $200 strategy session to a $6,500 proposal, and confirmed in writing before work begins.

Deliverables in writing

Strategy sessions end with a written summary. A declined proposal gets a written debrief you can bring to your board.

Mapped before drafted

Every requirement, character limit, and attachment is laid out before the first line of the proposal is written.

Evidence you can cite

Logic models and case statements carry Chicago-style citations to peer-reviewed and government sources.

About

Artist, educator, grant writer.

Color photograph of a small stone guard house on an empty road at dusk, with mountains behind it.
EntranceManzanar, CA, 2008From the series American History Re-Visited

Born in Colombia and based in Greater Boston, I have spent more than twenty years making photographs about how the American landscape holds memory, displacement, and history. My work is in the collections of the Harvard Art Museums, the Yale University Art Gallery, and the Addison Gallery of American Art. The habits that shape that work (archival research, listening to the people closest to a place, a commitment to historical truth) shape every proposal I write.

  • Photography faculty, Lesley University2014–2024
  • Founder and chair, faculty and staff affinity network, Lesley University
  • Inaugural artist-in-residence, Lamar Dodd School of Art, University of Georgia2025
  • MFA, Massachusetts College of Art and Design1998
  • Fundraising research and writing consultant, two capital campaigns2026

Let's talk.

Tell me what you're trying to fund, what you've tried, and what feels stuck. I reply to messages within two business days.

The conversation is thirty minutes, with no commitment. The strategy session is sixty minutes and ends with a written summary; the $200 is credited toward a proposal or retainer agreed within 30 days.